Camera models. "}},{"@type":"Question","name":"What are Fuji Red Badge lenses? As for focusing on the 56mm f/1.2, it’s not lightning fast but it’s no slouch either. I hope you enjoyed this selection of the best Fuji X lenses. Fujifilm 35mm f/1.4 Sample Image | © Soe Lin. Fujifilm XF 16mm f/2.8 R WR ($399): The Fujifilm XF 16mm f/2.8 R WR is a 24mm-equivalent wide-angle lens, well-suited to landscape, nature, and architectural shooting. The inbuilt image stabilisation of the 55-200mm f/3,5-4.8 is impressive, allowing the use of slow shutter speeds to prevent camera shake even when hand-holding in low light situations. Lens Adapters . Fujifilm X-Pro3 and XF 35mm f/2 WR. Many also feature weather-sealing. CLICK HERE TO GET THE LATEST PRICE ON THE FUJI 55-200MM F/3.5-4.8. Much like the 23mm f/2 and the 35mm f/2, this lens is smaller, lighter and cheaper than the larger and more expensive focal equivalent of the 56mm f/1.2. As a bit more background, the type of photos I like to make at the moment are a bit like […] The Fuji X-Pro3 finally gets updated to Fujifilm's latest tech and features a unique status display. 16mm as opposed to 18mm will also give you more flexibility for wide angle shots too. It goes without saying that the 35mm f/1,4 (as with all the other primes in the Fujinon lens lineup) is beautiful to hold and to look at, suiting the black bodies of the Fuji X-T series and X-Pro series perfectly. In January 2017 Fujifilm released the third lens in its new line-up of compact weather-sealed primes. ND Filter. Image quality for the 50mm f/2 is outstanding with edge to edge sharpness even wide open at f/2. The Red Badge Fuji XF lenses offer the best performance in focusing speed and image quality. Both optical and electronic viewfinder types are incorporated into the unique Hybrid Multi Viewfinder, which lets you select from the simplicity and familiarity of an OVF as well as the versatility of an EVF. CLICK HERE TO GET THE LATEST PRICE ON THE FUJI 50MM F/2 WR. The F1.4 maximum aperture in the XF 16mm gives users extraordinary image quality in low-light conditions, and pleasing bokeh-rich macro photography with a minimum working distance of less than 6″ for numerous creative photographic possibilities. This means you can accurately frame your shot before you’ve even lifted the camera to your eye, making it a great choice for street photographers. bigger. I've got an X Pro2 and some X prime lenses and very pleased with the camera, lenses and functionality. The weather-resistant Fujinon 16-55mm f/2.8 lens is a midrange zoom with a focal length equivalent to 24-84mm, and a constant f/2.8 aperture throughout the range. Many photographers prefer to reach for a wide-angle zoom rather than a prime. 24mm is typically used in conjunction with a longer lens by wedding photographers, landscape photographers, street photographers, architectural photographers and basically anyone who wants to tell a story by including more in the frame. Its image stabilization function enables the use of shutter speeds up to 4.5 stops slower, preventing camera shake even when shooting hand-held in low-light situations, or when shooting at a stopped down aperture. Looking for the recommended lenses for your Fujifilm X-Pro3 mirrorlesss camera? Consequently, the autofocus system is remarkably fast and grabs a clear focus on the subject. (If you’re a prime shooter and need something long, get the amazing 90mm f/2 instead – it’s one of the best lenses for portrait photography right now.). The 16mm f/1.4 is built like a tank, much the same as most of the Fuji X mount products. Fujifilm’s high performance APS-C mirrorless cameras and the incredible lens lineup entice more and more amateur and professional photographers each year. The biggest advantage of the 90mm f/2 lens is its lightweight and compact size. It’s a pro-grade zoom Fujifilm lens with amazing optics and razor-sharpness from edge-to-edge. As with the other smaller Fujinon f/2 primes, this lens includes a weather and dust seal around the base of the mounting plate. Image Sensor. Weighing just 15.5 ounces, this lens may be lighter than your average lens, but it is certainly built to withstand the demands of working pros and travel enthusiasts alike. I’ve tried to be as eclectic as possible with this Fuji lens review roundup, recommending products that are best for the majority of photographers. The advantage of the X-Pro3 is obvious, but there are a few things you need to keep in mind if you’re keen on using the optical viewfinder. FUJIFILM X-Pro3 Owner’s Manual. So, if you are the lucky one who have already got the Fujifilm X-Pro3 (Amazon, B&H, Adorama), the next thing is to find the best/right lenses for Fujifilm X-Pro3. This is a bit of a bonus inclusion. The Canon/Nikon 70-200mm zooms are the most popular professional zooms, and this is the same with the 50-140mm f/2.8 on the Fuji side. As for the build, you’ll know by now that all the Fuji X mount lenses are built out of metal to outlast your life as a photographer. Yes, we did say hidden! Zach Arias had this to say about this lens’s unique character: “There are lenses that I love and then there are those that have magic inside of them. So, whether you’re getting lost on an adventure, or making the perfect portrait, make sure this lens is with you. Specifications. There are currently three XF Red Badge lenses: 16-55mm f/2.8, 50-140mm f/2.8 and 100-400mm f/4.5-5.6. The 23mm f/2 WR is a bit of a special weapon in the line up and one that deserves a mention. CLICK HERE TO GET THE LATEST PRICE ON THE FUJI 27MM f/2.8. The NEW metal hand grip for the X-Pro3 is a more substantial grip with milled metal base .Improves the grip on the camera and reduces the chances of camera shake, especially when using heavy, large aperture lenses. You can see the subject separation and smooth bokeh exhibited by the 23mm f/1.4 in the image below. The fixed f/4 aperture is available throughout the 2.4x zoom range and provides excellent detail from the foreground to the distance. If you’re concerned about f/4 not being quick enough for low light situations (and the lack of Optical Image Stabilization therein), I’d recommend investing in one of these solid tripods to stabilise your shot, especially at slower shutter speeds. Fujifilm X-T2 + 23mm f/2 | f/5.6 | 1/3200 | ISO200 | © Jonas Rask. Fujifilm 90mm f/2 Sample Image | © John Rourke. In fact, the 16mm f/1.4 can focus to within just 6cm from the front of the lens!
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